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“For us, it was the only way we were going to do it. Despite its status within the global cultural hegemony, Green explains that living in London can prove to be creatively stifling at times, and that the band wouldn’t have been able to create the album that is Drunk Tank Pink had they stayed to record there. We were just excited as fuck to be in that situation, going to these far-gone places to play to people… Sometimes not a lot of people, but it was amazing though.”įollowing their relentless touring ethic, it goes without saying that the band were in dire need of some time to unwind and to regroup before embarking on their next project. “I think we did that at a good point of our lives – we were like 20-21 years old, and we didn’t have anything tying us down, nothing to come back to. In 2018, we did 180 shows, 50 festivals and like 110 flights – it was fucking ridiculous!” Green says. “From 2017 to the start of 2020 we pretty much didn’t stop. After their hectic touring schedule and musical output of the past few years, they urgently needed to take a break and isolate far before the rest of the world had to. Regardless of this curve ball, shame’s trajectory has been steadily rising for quite some time now. And then obviously, 2020 threw us a bit of a curve ball.” We spent three and a half weeks there recording it with an incredible producer named James Ford, and it’s been ready to go for a year now. “Over the course of the following year, we just got as many ideas together as we possibly could, then had a selection of songs we thought could be good enough to be on the record and went to Paris to a studio called LaFrette at the start of last year. “It came to the end of a pretty hectic campaign after the first record, and we found ourselves with a newfound freedom of time that we hadn’t had for quite a while before, so we got together after taking a bit of a break at the Scottish borders and started writing. ‘This album was something we started writing about two years ago now,” Green says of the band’s efforts in the studio.
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ORIGINAL PRODUCTION AT THE TANK OCT.25 - NOV.Words by Dillon South We chat with guitarist Eddie Green about the UK band's thrilling new album.įollowing the hype that surrounded their debut Songs Of Praise, South London’s shame have returned in full force with their sophomore album, Drunk Tank Pink.Īcross eleven tracks, it’s a heavy concoction of drowning instrumentals and punk ballads that sees the band experiment with a canvas of wailing guitars, striking synth lines and ultra-tight grooves, while frontman Charlie Steen’s songs of isolation, abandonment and struggle help to make for an enthralling listen.Ĭhatting with lead guitarist Eddie Green, we talk about the band’s new album, the state of post-punk in 2021, navigating COVID-19 as a musician and why Australia is one of the greatest places to tour. When shes not performing with her band Frances Rose, Sarahs busy teaching the next generation of rock stars songwriting, music theory, and instrumental mastery. She was raised upstate in the Hudson Valley and has since lived in Paris, West Africa, Los Angeles, and now lives in Manhattan. A skilled linguist, Sarah speaks English, French, Zarma, Hausa, notions of Spanish, Italian and ASL. Follow her on social is a composer & libra who loves collecting rare books and post-colonial African art from the 1960s. She is currently under commission with Borscht Film Festival for her semi-pornographic short films on Insta. A true Sarah Lawrence girl, Caitlin has a special luv connection with New Georges and The Lark. Shes been on some kind of VIP list called The Kilroysand a finalist for everything else. Shes rcvd awards, fellowships, scholarships, grants, and residencies from many A-List places.
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Her work has been presented all over NYC. Her favorite materials are lace, tricot, and blood. She was born in Baltimore, lived in London, Buenos Aires and now Brooklyn. Off Off Theatre, Via Giulia, 20, Roma, 00186 Italia TICKET LINKSĬaitlin is a playwright & pisces. Menotti Teatro Filippo Perego, Via Ciro Menotti, 11, Milano, 20129 Italia Roes Theatre, Iakchou 16, Athina 118 54, Greece Music Production Original Production: Anthony DeanĪdditional Music Production: Andrew Horowitz TOUR DATES Publicity Manager in Greece: Aris Asproulis Original Production Sound Design: Anthony Dean Original Production Scenic Design: Skye Morse-Hodgeson Maybe last nite wasn’t such a party after all.
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But when really weird stuff starts happening, the girls begin to question the syntheticness of their own materials and if what they think happened was really real.
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American Apparel® models search for their missing memory after a tragically fun nite.